In a typical rural landscape stands a pansori memorial hall, a place now ignored even by local residents. Eunsol, granddaughter of the once-renowned pansori master Park Manchun, has silently guarded this place, becoming like a relic of the past herself. Eunsol, who occasionally performs pansori for tourists, one day finds herself singing along to beats produced by Sijung, a hip-hop musician of similar age who has secretly snuck into the hall. This musical encounter gives Eunsol conviction that it might be the only hope to save the memorial hall from its impending closure.

The film was made with a simple, long-awaited desire, to see a music film that puts the musical element, rhythm at the forefront. This was also the reason for combining hip-hop and traditional music, which might seem to be at opposite ends of the spectrum. Later, during the screenwriting and production process, the unique cultures of these two musical genres, generational conflicts, and their conventions took shape within the story. Throughout this process, I had wanted to create a story that is actively driven by 'music'.

World Premiere